Goodwin:
We have
learnt multiple things about Goodwin and his theories and i am going to begin
talking about Goodwin’s theories and what he believed music videos are used
for.
Goodwin
used the term "Dancing in a distraction factory". When he said this
it instantly sparked the thought that are we only watching images on the screen
in order to distract us? However upon further inspection and research i have
found that what he meant was you can use music videos to tell a story or
accompany the lyrics. He also mentioned that more often than not the images
that we see on the screen actually give a demonstration to the genre of music
we are listening to.
More
often than not the use of females is highly played upon showing voyeuristic
features and allowing the viewer to look upon the woman as an object and in
a seductive way. This can be a direct link to the woman used or to the
props which they either use or that surround them.
The voyeuristic
feel to the video is made more noticeable by the use of props such as binoculars,
video cameras and even mirrors and screens. This is giving the effect that they
are being watched at all times and they are being shown for all to see.
- Music videos demonstrate genre
characteristics (e.g. stage performance in metal video, dance routine for
boy/girl band).
- There is a relationship between
lyrics and visuals (illustrative, amplifying, and contradicting).
- There is a relationship between
music and visuals (illustrative, amplifying, and contradicting).
- The demands of the record label
will include the need for lots of close ups of the artist and the artist
may develop motifs which recur across their work (a visual style).
- There is frequently reference to
notion of looking (screens within screens, telescopes, etc.) and
particularly voyeuristic treatment of the female body.
- There is often intertexual
reference (to films, TV programmes, other music videos etc.).
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